A salesman who shared his liquor and steered while sleeping...A Cherokee filled with Bourbon...A VW no more than a bubble of hashish fumes, captained by a college student...
And a family from Marshalltown who headonned and killed forever a man driving west out of Bethany, Missouri...
...I rose up sopping wet from sleeping under the pouring rain, and something less than conscious, thanks to the first three of the people I've already named- the salesman and the Indian and the student- all of whom had given me drugs. At the head of the entrance ramp I waited without hope of a ride. What was the point, even, of rolling up my sleeping bag when I was too wet to be let into anybody's car? I draped it around me like a cape. The downpour raked the asphalt and gurgled in the ruts. My thoughts zoomed pitifully. The travelling salesman had fed me pills that made the linings of my veins feel scraped out. My jaw ached. I knew every raindrop by its name. I sensed everything before it happened. I knew a certain Oldsmobile would stop for me even before it slowed, and by the sweet voices of the family inside I knew we'd have an accident in the storm.
I didn't care. They said they'd take me all the way.
The man and his wife put the little girl up front with them and left the baby in back with me and my dripping bedroll. "I'm not taking you anywhere very fast," the man said. "I've got my wife and babies here, that's why."
You are the ones, I thought. And I plied my sleeping bag against the left-hand door and slept across it, not caring whether I lived or died. The baby slept free on the seat beside me. He was about nine months old.
...But before any of this, that afternoon, the salesman and I swept down into Kansas City in his luxury car. We'd developed a dangerous cynical camaraderie beginning in Texas, where he'd taken me on. We ate up his bottle of amphetamines, and every so often we pulled off the Interstate and bought another pint of Canadian Club and a sack of ice. His car had cylindrical glass holders attached to either door and a white, leathery interior. He said he'd take me home to stay overnight with his family, but first he wanted to stop and see a woman he knew.
Under Midwestern clouds, like great grey brains we left the superhighway with a drifting sensation and entered Kansas City's rush hour with a sensation of running aground. As soon as we slowed down, all the magic of travelling together burned away. He went on and on about his girlfriend. "I like this girl, I think I love this girl- but I've got two kids and a wife, and there's certain obligations there. And on top of everything else, I love my wife. I'm gifted with love. I love my kids. I love all my relatives." As he kept on, I felt jilted and sad: "I have a boat, a little sixteen-footer. I have two cars. There's room in the back yard for a swimming pool." He found his girlfriend at work. She ran a furniture store, and I lost him there.
The clouds stayed the same until night. Then, in the dark, I didn't see the storm gathering. The driver of the Volkswagen, a college man, the one who stoked my head with all the hashish, let me out beyond the city limits just as it began to rain. Never mind the speed I'd been taking, I was too overcome to stand up. I lay out in the grass off the exit ramp and woke in the middle of a puddle that had filled up around me.
And later, as I've said, I slept in the back seat while the Oldsmobile- the family from Marshalltown- splashed along through the rain. And yet I dreamed I was looking right through my eyelids, and my pulse marked off the seconds of time. The Interstate through west Missouri was,in that era, nothing more than a two-way road, most of it. When a semi-truck came toward us and passed going the other way, we were lost in a blinding spray and a warfare of noises such as you get being towed through an automatic car wash. The wipers stood up and lay down across the windshield without much effect. I was exhausted, and after an hour I slept more deeply.
I'd known all along exactly what was going to happen. But the man and his wife woke my up later, denying it viciously.
I was thrown against the back of their seat so hard that it broke. I commenced bouncing back and forth. A liquid which I knew right away was human blood flew around the car and rained down on my head. When it was over, I was in the back seat again, just as I had been. I rose up and looked around. Our headlights had gone out. The radiator was hissing steadily. Beyond that, I didn't hear a thing. As far as I could tell, I was the only one conscious. As my eyes adjusted I saw that the baby was lying on its back beside me as if nothing had happened. Its eyes were open and it was feeling its cheeks with its little hands.
In a minute, the driver, who'd been slumped over the wheel, sat up and peered at us. His face was smashed and dark with blood. It made my teeth hurt to look at him- but when he spoke, it didn't sound as if any of his teeth were broken.
"We had a wreck," he said
"The baby's okay," he said, although I had no idea of how the baby was.
He turned to his wife.
"Janice," he said. "Janice, Janice!"
"Is she okay?"
"She's dead!" he said, shaking her angrily.
"No, she's not." I was ready to deny everything myself now.
Their little girl was alive, but knocked out. She whimpered in her sleep. But the man went on shaking his wife.
"Janice!" he hollered.
His wife moaned.
"She's not dead," I said, clambering from the car and running away.
"She won't wake up," I heard him say.
I was standing out here in the night, with the baby, for some reason, in my arms. It must have still been raining, but I remember nothing about the weather. We'd collided with another car on what I perceived was a two-lane bridge. The water beneath us was invisible in the dark.
Moving toward the other car I began to hear rasping, metallic snores. Somebody was flung halfway out the passenger door, which was open, in the posture of one hanging from a trapeze by his ankles. The car had been broadsided, smashed so flat that no room was left inside it even for this person's legs, to say nothing of a driver or any other passengers. I just walked right on past.
Headlights were coming from far off. I made for the head of the bridge, waving them to a stop with one arm and clutching the baby to my shoulder with the other.
It was a big semi, grinding its gears as it decelerated. The driver rolled down the window and I shouted up at him, "There's a wreck. Go for help."
"I can't turn around here," he said.
He let me and the baby up on the passenger side, and we just sat there in the cab, looking at the wreckage in his headlights.
"Is everybody dead?" he asked.
"I can't tell who is and who isn't," I admitted.
He poured himself a cup of coffee from a thermos and switched off all but his parking lights.
"What time is it?"
"Oh, it's around a quarter after three," he said.
By his manner he seemed to endorse the idea of not doing anything about this. I was relieved and tearful. I'd thought something was required of me, but I hadn't wanted to find out what it was.
When another car showed coming in the opposite direction, I thought I should talk to them. "Can you keep the baby" I asked the truck driver.
"You'd better hang on to him," the driver said, "It's a boy, isn't it?"
"Well, I think so," I said.
The man hanging out of the wrecked car was still alive as I passed, and I stopped, grown a little more used to the idea now of how really badly broken he was, and made sure there was nothing I could do. He was snoring loudly and rudely. His blood bubbled out of his mouth with every breath. He wouldn't be taking many more. I knew this, but he didn't, and wouldn't therefore I looked down into the great pity of a person's life on this earth. I don't mean he couldn't tell me what he was dreaming, and I couldn't tell him what was real.
Before too long there were three cars backed up for a ways at either end of the bridge, and headlights giving a night-game atmosphere to the steaming rubble, and ambulances and cop cars nudging through so that the air pulsed with color. I didn't talk to anyone. My secret was that in this short while I had gone from being the president of this tragedy to being a fearless onlooker at a gory wreck. At some point an officer learned that I was one of the passengers, and took my statement. I don't remember any of this, except that he told me "Put out your cigarette." We paused in our conversation to watch the dying man being loaded into the ambulance. He was still alive, still dreaming obscenely. The blood ran off him in strings. His knees jerked and his head rattled.
There was nothing wrong with me, and I hadn't seen anything, but the policeman had to question me and take me to the hospital anyway. The word came over his car radio that the man was now dead, just as we came under the awning of the emergency-room entrance.
I stood in a tiled outdoor with my wet sleeping bag bunched against the wall beside me, talking to a man from the local funeral home.
The doctor stopped to tell me I'd better have an X-ray.
"Now would be the time. If something turns up later..."
"There's nothing wrong with me."
Down the hall came the wife. She was glorious, burning. She didn't know yet that her husband was dead. We knew. That's what gave her such power over us. The doctor took her into a room with a desk at the end of the hall, and from under the closed door a slab of brilliance radiated as if, by some stupendous process, diamonds were being incinerated in there. What a pair of lungs! She shrieked as I imagined an eagle would shriek. It felt wonderful to be alive to hear it! I've gone looking for that feeling everywhere.
"There's nothing wrong with me"- I'm surprised I let those words out. But it's always been my tendency to lie to doctors, as if good health consisted only of the ability to fool them.
Some years later, one time when I was admitted to Detox at Seattle General Hospital, I took the same tack.
"Are you hearing unusual sounds or voice?" the doctor asked.
"Help us, oh God, it hurts," the boxes of cotton screamed.
"Not exactly," I said.
"Not exactly," he said. "Now what does that mean?"
"I'm not ready to go into all that," I said. A yellow bird fluttered close to my face, and my muscles grabbed. Now I was flopping like a fish. When I squeezed shut my eyes, hot tears exploded from the sockets. When I opened them, I was on my stomach.
"How did the room get so white?" I said.
A beautiful nurse was touching my skin. "These are the vitamins," she said, and drove the needle in.
It was raining. Gigantic ferns leaned over us. The forest drifted down a hill. I could hear a creek rushing down among rocks. And you, you ridiculous people, you expect me to help you.
Wednesday, July 5, 2017
Monday, July 3, 2017
A scene that sums up the movie's thesis and the direction the story is going. These scenes, if you are listening to the prophetic words of Robert McKee, should come somewhere in the middle of the movie. So it comes as no surprise, the placement of this scene is squarely in the middle and acts both as a launching point for everything else that happens and as a summation of everything that has happened thus far.
Though they never show how long Phil Conners has been living the same day over and over and over again in the town of Punxatawny, no other scene better paints the length of time he has been there than this one. His enyclopedic knowledge of the residents- bringing attention to a young couple in a bit that will have an awesome payoff later on- to the knowledge of when a specific event will happen.
In the span of less than four minutes, performance, dialogue and writing manage to instill laughs, wonderment and tears. It's slapstick comedy, science fiction and drama.
More importantly, this scene happens after Phil has reached the lowest point as a character. Living through the same day over and over seems like hell, especially for one who is so self-centered and as smug as Phil is. So he turns to the one person who he thinks can help him: Rita. Yet it happens with the self consciousness of knowing that, in the process of living in a loop, that she will forget everything he just told her and the process will start all over again. This unlocks the third act of the movie. The act of redemption for Phil Conners. It harks back to the best of Frank Capra. A parable that shows the enormity of time.
That's all for now. I must get a move on if I'm going to stay ahead of the weather.