Wednesday, August 11, 2021

Luke's Top 50 Comedies

Jordan Peele once remarked that both horror and comedy find a bond in grounding absurdity. The more real your world is with your absurd notion, the scarier it is. Groundhog Day is a good example of this. Take the comedy out and your are left with a nightmare scenario- being stuck in a time loop. Dr. Strangelove is simultaneously one of the bleakest films on this list and one of the funniest. When researching/preparing for the film, Kubrick noted that the only direction to take a notion so absurd- nuclear oblivion- is the comedy route. 

Horror and comedy make for the two genres hardest to master. Everyone thinks they can make them, leading to a glut of shit in both genres. Even less succesful formulas have been concocted for horror comedies. 

This leads to how I, or anyone of you, construct their lists of favorite comedies. Taking a cue from Bennett Media, these are strictly made for laughs. 




1. The Big Lebowski (1998)
Rewatchability is one of the key factors in any movie that makes this list. The thing about Lebowski is that it only gets funnier the more I watch it. Every actor from lead to minor role is on point here. 



2. Beetlejuice (1988)
It fit like a glove when I first saw it. I had seen Batman before it and Tim's style was something I was way into.  



3. Midnight Run (1988)
A film that jumps higher and higher on my list of favorites each time I watch it. It's now secure in my top 100. 
There's not a single character or side character that doesn't have a memorable line or hilarious comic timing. 



4. Sherlock Jr. (1924)
Are you a Chaplin guy or a Buster guy? The Tramp or Stoneface? I've always had a soft spot for Keaton. This, his 1924 effort is bursting with ideas and inventiveness. I still scratch my head in disbelief in how he accomplished the stunts in this movie.  


5. Dr. Strangelove (1964)
When faced with the question, who do you think gave the funniest performance in a film?" my answer would be Peter Sellers' three performances here. 


6. Female Trouble (1974)
My heart belongs to John Waters. His early stuff will always outshine his later stuff. Divine is a major reason why. The Dreamlanders are all here in top form. 


7. The Burbs (1989)
It was a family tradition that on vacations, The Burbs and Jaws were always taken to watch. The van had a TV between the driver and passenger seats for me and my brother to watch stuff while on long trips. As such, this movie has been instilled into my DNA. 

A dream cast (Tom Hanks, Carrie Fisher, Rick Ducommon, Bruce Dern, Corey Feldman, Henry Gibson, Dick Miller), one of my favorite Goldsmith scores, and a script that lets everyone shine. 


8. Fear and Loathing In Las Vegas (1998)
Reading the book recently made this sneak into my Top 100. Thompson's voice is channeled through Gilliam's visuals and Depp's performance. And Del Toro gives a comedic performance for the ages. 


9. Ed Wood (1994)
Burton's best directed effort. There's only a handful of biopics that are as good as this one. Beyond the camerawork, Depp and Murray give two of their funniest performances. I only see this movie going higher on the list. 


10. A Serious Man (2009)
Receive with simplicity everything that happens to you. 
After the dire seriousness of No Country, the Coens wisely pulled a one-two punch of comedy. This one, imbued with an autobiographical nature, manages to be their best comedy since Lebowski. Whereas Burn After Reading was littered with big names, A Serious Man introduced us to fresh faces: Michael Stuhlbarg, Richard Kind and Fred Melamed. 


11. This Is Spinal Tap (1984)
Shit sandwich this is not. The 80s can be summed up in a word: excess. 80s hair metal in particular. Spinal Tap managed to send up the scene so accurately that several bands have asked the makers if it was based on them. 


12. After Hours (1985)
Scorsese does Kafka. The absurdist comedy here is delivered by a director having genuine fun. 


13. Ferris Buller's Day Off (1986)
My cousin introduced me to this as his favorite movie. Being set in Chicago and giving full breadth to the city is a major plus. 
John Hughes movies became a touchstone after this. The way he depicted teenagers, with all their flaws and all. One of my favorite commentaries is from Hughes on the DVD release. 


14. Dazed and Confused (1993)
Everytime I watch it I feel like I'm hanging out with old friends. The mark of any great hang out movie. 


15. Young Frankenstein (1974)
Of the Brooks movies, Franky is the one I saw first. Blazing Saddles followed. When considering which is better, it's simply down to personal taste. Both are laugh out loud funny. But I will take Cloris Leachman over Madeline Kahn and Peter Boyle over Cleavon Little.


16. Monty Python and the Holy Grail (1975)
Stands toe to toe with Flying Circus. Top 3 Gilliam. 


17. His Girl Friday (1940) 
In the 40's, two genres reigned supreme- film noir and screwball comedies. The latter had Ernst Lubitsch and Preston Sturges firing on all cylinders. Howard Hawks, never one to be shy from tipping his toe in just about every genre out there, crafted a movie faster than any of them. 


18. Play It Again, Sam (1972)
My favorite Woody. What about Friday night? 


19. Some Like It Hot (1959)
You won't find another director more at the top of his game than Wilder between 1950 and 1960. He began the decade with the haunting Sunset Boulevard and closed it out with Some Like It Hot. Talk about range! 


20. Modern Romance (1981)
I could have went with Defending Your Life or Lost In America, Modern Romance just sticks with me longer than the other two have. Comedy and heartbreak go hand in hand with sly visual gags. 



21. Airplane! (1980)
A film so packed with gags that it's nearly impossible for all of them to land on the first run. Airplane gave us two actors from the Golden Age of Hollywood stretching their comedic chops- Lloyd Bridges and Leslie Neilsen. 


22. Groundhog Day (1993)
Another movie nearly memorized word for word. Groundhog Day has been a tradition in my house in the same way The Burbs and Jaws were. Phil Conners might be my favorite Murray performance. 


23. Rushmore (1998)
Barely edges out Tenenbaums as my favorite of Wes. He's found a style and stuck with it throughout his whole career. This isn't exactly a bad thing. You know it's an Anderson picture just by the way he frames shots. Is he going out of his comfort zone? No. Which is why he'll always be a director I like but not a director I love. Having said that, he managed to craft a handful of films that hit the funny bone in just the right places. 


24. Napoleon Dynamite (2004)
The comedy is here is so specifically tailored to a character type that when it came out, people either found it brilliant or annoying. I am happily of the former camp. 


25. Raising Arizona (1987)
There's a short, short list of actors who have an ability to go from a character like H.I. McDunnough to Ben Sanderson to Charlie/Donald Kaufman to Terence McDonagh to, most recently, Chef Robin Fell. H.I. might be my favorite character he's portrayed. 
Besides Gremlins 2, it's the only live action movie that channels the zany anarchy of Looney Tunes. 


26. The General (1927)
The first Keaton I saw. Clever, innovative and incredibly athletic, Keaton turns cause and effect physics into poetry. As with Sherlock Jr., this film just does not slow down for a break. 


27. Hot Fuzz (2007)
It's always rotating between this and Shaun of the Dead as to what I find the funniest. 




28. Bad Santa (2003)
As endlessly quotable this movie can be, the scene between John Ritter and Bernie Mac catapults this into a classic for comedic timing. 


29. The Money Pit (1986)
You can draw a straight line from Tom Hanks to Buster Keaton in the 'chain reaction of destruction' scene.
Seriously, go watch this movie or...I'll not like you anymore. 


30. Love and Death (1975)
Like John Waters, Allen surrounds himself with what he loves- Bergman, Russian literature, and enough neurosis to make Larry David look normal. 




31. Wet Hot American Summer (2001)
Given that it's directed by David Wain, a handful of actors from the State (Michael Ian Black, Michael Showalter, Ken Marino, Joe Lo Truglio) make their appearance. Along with the likes of Paul Rudd, Will Forte, Amy Poehler and Elizabeth Banks. Though for my money, Christopher Meloni, an actor who was in the grim prison drama Oz at the time, nearly steals the show from all of them. 


32. Ghostbusters (1984)
I watched it at just the right moment in my life. I was in a huge Burton phase and sought out stuff that used some of the same ingredients. What is so striking here is the casting: Murray, Aykroyd, Ramis, Weaver, Moranis, Hudson, Atherton. Each actor would take on a role in a movie or TV show (Oz in Hudson's case) that I would come to love. They are all here, playing brilliantly off of one another. 


33. Popstar: Never Stop Never Stopping (2016)
It's the funniest movie to come out of the 10's. And I can say that with full confidence. It's our generation's answer to Spinal Tap. 


34. Serial Mom (1994)
Waters always filled his movies with the stuff that interests him. And what stuff that is! Herschell Gordon Lewis, Chesty Morgan, and a homicidal mother played to perfection by Kathleen Turner. 


35. In the Loop (2009)
Politics has been a bought and paid game since the 70s. Any commentary worth anything should approach the subject with sharpened knives. The satires that make this list all have to do with communication breaking down between people. Thus leading to dire consequences for all involved.
The insults here are top tier. 


36. Addams Family Values (1993)
A sequel better than the original for several reasons. The bizarro summer camp, the hi jinks with the new baby. For my money though, the greatest addition is a simply better villain in Joan Cusack, who delivers a knock out performance as Debbie Jelinski. Graceful, delicate.  


37. Sullivan's Travels (1941)
There's an umbilical cord connection from Preston Sturges to the Coen Brothers. I came to Sturges after trying to get my hands on every interview the Coens made. I kept seeing his name pop up as a main influence. Like the Coens, Sturges' dialogue pops off the page. It was witty yet had unique literacy. There's a playfulness with language that I immediately respond to. Sullivan's Travels is a key example of this. 


38. The Naked Gun (1988)
I'm a fan of all three movies. Though if I were to make a list of funniest scenes from all three, the bulk of them would be found in the first one. 


39. Mystery Science Theater 3000: The Movie (1996)
MST3K never really had a bad season. It was always about the movies they were riffing. This Island Earth offers plenty of opportunities for Tom, Crowe and Mike to hit their stride. 


40. The Cable Guy (1996)
Like What About Bob?, the hanger-on is played by a comedian. Also like Bob, the movie can shift into horror territory at the drop of a dime. They just choose not to. What's so enjoyable about these types of movies is watching the two leads walk a tightrope between the two genres. 


41. Best In Show (2000)
It only took two movies together to perfect their chemistry. The Guest stable of comedians don't quite top the heights they reach here. Considering the absurdity of the subject matter they tackle, it would be hard to. 


42. National Lampoon's Christmas Vacation (1989)
A Christmas Story, It's A Wonderful Life, Home Alone and this movie are all traditions at Christmas time. Always have been. The Vacation series is at best, uneven. A solid first entry, a lackluster European installment, a great third film and a middling trip to Vegas. All the anxiety of family get togethers, finding a good tree, shopping, etc. is pictured here. Complete with a pitch perfect Julia Luis Dreyfus as the neighbor. 


43. Observe and Report (2009)
A comedy version of Taxi Driver is the best description I've seen of this movie. It's the movie that introduced me to Jody Hill. 


44. A Fish Called Wanda (1988)
John Cleese and Michael Palin are worth the price of admission. But it's Kevin Kline's character of Otto who makes the film take off into astronomical comedic heights. 


45. Four Lions (2010)
First you laugh, then you take a second to think about what you are laughing at, and before you know it, a bird was just blown up before your eyes. British satirist Chris Morris made waves with his show Brass Eye. A show that fearlessly took on controversial subjects. Four Lions continues this fearlessness. 


46. Bad Trip (2021)
Eric Andre represents the next logical step of anarchy in comedy. Tim and Eric keyed into the anti-humor scene. Andre jumped head first into it. The best road trip comedy in years. 


47. Wayne's World 2 (1993)
Wayne Campbell will always be what I remember Mike Myers for. Between the two movies, part 2 is the funnier one. 


48. What We Do In the Shadows (2013)
Vampire movies have all but had the life sucked (pun intended) out of them. No, it's not only because of Twilight. Like the zombie genre, the tropes have become tired. Taika's mockumentary hits at just the right time. 


49. Tommy Boy (1994)
A road movie with two comedians whose chemistry rivals Martin and Candy. Beyond their performances, Rob Lowe is at his peak here.




50. Office Space (1999)
I never got into Beavis and Butthead. Nor did I obsessively track Judge's work following this. This somehow just works for me. It nails the tediousness of bosses, and strange co-workers.


Monday, August 9, 2021

'21 Catch-Up: Shiva Baby, The Green Knight, OLD, No Sudden Move, Pig

Shiva Baby


  This is Uncut Gems without the impressive simulated chaos comedy. There are a few too many plot conveniences and absurd bullshit that's meant to heighten the anxiety but feels like exactly what it is: desperately inauthentic. And every bit of awkward comedy falls completely flat, just to twist that butter knife. Further wounding everything: the performances are all over the place. Our lead overacts for nearly the entire movie and her Father, played by the [usually] reliable Fred Melamed, is so oafish and bumbling that he's a fucking cartoon. What works makes me grit my teeth cuz I can't dismiss it all to the trash: there's some great insight into how young people manifest insecurities into seeking validation thru sex - especially for millennials in the internet age. I would love, love, LOVE this movie if the lead had been told to dial it down. On paper, Danielle is fantastically written, but on the day, Rachel Sennott doesn't bring her to life. That makes this the most frustrating movie I've seen this year. C+

The Green Knight

  
  Okay, so, I used to think that Arthurian Fantasy/Adventure fare wasn't for me. This kind of media has  rarely ever made me wanna come back to it. The Lord Of The Rings movies are flat-out toothless and I barely got into Game Of Thrones before watching it burn to the ground in its final season. Willow gets close, Legend gets closer, and Valhalla Rising gets closest to something I love... but they all lack that extra bite (in the case of Valhalla, it's a tad too languid). Shrek doesn't count because that's, like Princess Bride, too irreverent for the point I'm driving home - I love them for very different reasons. But, recently, Gretel & Hansel and The Green Knight finally gave me what I've been wanting all these years: atmospheric, creepy, challenging Fantasy Adventure. Knight wins out, too, for having such a sprawling and soulful story. G&H always feels a little too insular while showing us an incredible world outside of the story. Knight hikes throughout its world and made all three of my screenings feel massive. It's also massively head-scratching since it has a Twin Peaks: The Return-level mosaic of mystique. I've spent 3 days, and will spend many more, unpacking it. The central story is obvious and satisfying, with a funny and sweet ending, but it has so much playful curiosity that it demands intrigue with an undeniable majesty. I say yes every time it commands I consider yet another answer to its rhetorical queries (why is Alicia Vikander playing two roles, what's with the literal and fake puppets/puppeteering, why do the Giants sing with the fox????). Past that, our [unworthy] Hero, a [pseudo] Noble [who wants valor handed to him], is relatable in ways I'm not even willing to admit. He's unlikable and endearing in equal measure - which always makes for a dynamic and interesting character. Anything I detest about him is shit I'm either guilty of or had to outgrow. It's also worth noting that this lush, living and breathing movie was made for $15 Million and has more special-effects grandeur and eye-popping photography than most of the $100 Million Hollywood blockbuster plastic. It's a feat of filmmaking that proved I am a fan of this subject matter. It just needs a specific touch. A+

OLD

  A 109-minute emotional workout; if I wasn't laughing, I was crying. If I wasn't frozen from tension or recoiling from horror, I was going through a couple of existential crises. It's like Boyhood but with body horror, gallows' humor, and a kooky story that only M. Night Shyamalan could weave. Anyone else would have leaned in and made a dry, miserable, humorless arthouse movie OR dumbed it down and made forgettable, artless camp. Night does his typically skilled and artistically daring high-wire stand-up act that he's been riffing on since The Visit. OLD's not as good as Split but it's good enough that, if he keeps making movies of Old's quality, I'll be completely content as a fan because I know he has it in him to transcend that. Old's been banished by some to the wrung of his Shit Tier but it's also being lauded as a masterpiece and this is where Night belongs: polarizing the masses. It's even polarizing for me; as much as I love it, the ending is maddeningly unnecessary. There's a perfect point for the credits but Night just keeps rolling and wounds what's, otherwise, a strong victory lap after Glass. This is an exciting time for his career: he was humbled by a sobering fall from grace--dude went from being called "THE NEXT SPIELBERG" to getting collective groans when his name was shown in a theater--but now he's leaning into what he's best at: making elevated schlock. Shyamalan's Gonna Shyamalan. B+

No Sudden Move
 

  This starts strong and gradually winds down. It goes from one of the most tense home-invasion movies I've ever seen, with some crackerjack dialog, to a typical and predictable heist movie. The double-crossings and backstabbings and...whatever--I actually don't remember--ended up bringing me to a might-as-well-finish-it obligation to watch. It's not bad. It's not great. The cast is incredible and the visuals are voyeuristic without being shot in that typical, stale DocuDrama style. That's it. Sure. B-

Pig

  Pig isn't bad, at all, but it didn't quite hit me the way I wanted it to. Everyone's been talking this movie up as the next great classic but it's.......fine. It almost got me; my heart fluttered a few times and I got a lump in my throat at a certain point, but I never outright broke. It's a funny, sweet, softly satirical, well-shot and well-acted movie but suffers from a few amateurish editing choices and a narrative that feels too small for its 90-minute runtime. The world-building and well-drawn characters need more room to grow. Broken into three different chapters, they never feel like they get enough oxygen. Maybe on rewatch it'll get a stronger reaction out of me but, as it stands, it's just solid. Anyone calling Nic Cage's performance 'revelatory' clearly hasn't paid much attention to Cage or they've been giving him the wrong kind of attention. He carries this movie and he's not even breaking a sweat. B

Sunday, August 8, 2021

Crisis Babies: The Hunt (2020) Review

 

  It was pulled from its initial theatrical release date of September 27th after the Dayton and El Paso shootings and wrapped in tinfoil until it was unwrapped for March 2020. But March 2020 is when COVID started. In fact, the week it came out is when The Shutdown happened so it made virtually no money at the box office and, a week later, was put on Video OnDemand like so many other movies last year. Before anyone got to see it, and I mean regular-ass people, not Critics and Pundits, Conservatives called it 'Woke Liberal Bullshit' and 'Evil' while Libs called it 'Dangerous' and 'Conservative Propaganda.'


  Trailers leaned into it being a Blumhouse Horror Movie, name-dropping The Purge and Get Out as its tonal brethren. But once everyone moved on to another 'problematic' movie or show or meme or song, The Hunt sat in RedBoxes and VOD to cool off. I initially dismissed it but, through some inexplicable morbid curiosity and insomnia, I decided to see what all the talk was about.

...and it's one of my new favorite dark comedies.

    It's not Liberal Wokeness, it's not Conservative Agitprop, and it's not ApoliticalModerate sneering either. It's not trying to tear society apart nor trying to save it: it's trying to make us laugh. And, fuck, did it accomplish that for me. I laughed hard, and often, throughout and recovered some of the respect I'd lost for Damon Lindelof after Watchmen, which I thought was gonna take more than this dopey cartoon. Color me surprised and fucking satisfied. Skewering both sides, which hasn't been 'allowed' since Trump famously, lazily, and disingenuously took ahold of "both sides" after Charlottesville, it stands as nothing anyone said it was.

  I hate the trend of media having characters as pedantic, didactic, pontificating mouthpieces that stand in the way of genuinely Good Writing - The Message taking precedent over The Story. There are filmmakers who manage to do both, like Sam Levinson and Jordan Peele, among others, but for the most part we're inundated with this bullshit. The Hunt has didactic characters but they're all broad caricatures - them being didactic is the point because that's the joke. Everybody in this movie is bullshit and it's brilliant.

Thursday, August 5, 2021

Sunday, July 11, 2021

Tuesday, July 6, 2021