Saturday, October 22, 2011

October 22 Pt. 2: The Beyond

Italian films of the 70's and 80's are almost an acquired taste. You either get it or you don't. Suspiria is not beloved for its storyline. It's beloved because of the style Argento uses. It's all about image and sound and how the two are used to give the film that gothic vibe. Fulci takes nightmare logic one step further. Just watching the likes of Zombie or City of the Living Dead you come away with several great scenes. The splinter in the eye, the zombie taking a chunk out of a woman's neck, , etc. Well that's just it. The images of Fulci's films are the things you go to when you put on a Fulci film. Not so much the story.

Gianetto De Rossi's effects, Sergio Salveti's camerawork and the returning collaboration with Fabrio Frizzi's score are all factors to be dealt with. It harkens back to what Haxan promised in 1924. It's the stuff of nightmares. Gory crucifixions, sulphuric acid meltdowns, chain whippings, tarantuals and what Fulci film can be complete without the eyeball impalements?

It also contains the best exploding head shot captured on film. So there.


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